Zazen Boys 4 Rapidshare S

Zazen Boys 4 Rapidshare S

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Zazen Boys' self-titled debut album is in many ways a straight projection of themes that guitarist/vocalist Mukai Shutoku first began to develop with his previous band, Number Girl, particularly on the album Num-Heavy Metallic with its increasing use of funk and dance rhythms as well as elements of traditional Japanese music. Nevertheless, there's a lot more going on in Zazen Boys, with Mukai's vocal style moving further from the tortured yowl that was a defining feature of much of Number Girl's output and diversifying into a kind of ranting stream-of-consciousness near-rap -- as on 'Usodarake' and 'Yureta Yureta Yureta' -- that is partly reminiscent of New York's the Lapse and even flirts with a soul-style falsetto on the opening track, 'Fender Telecaster.' Throughout the album there's an urge to experiment and move away from the limitations of punk rock, although 'Cold Summer' still retains a lot of the Pixies influence of Mukai's previous band. It's also worth noting that for all the unusual arrangements, genre hopping, and stop-start rhythms, Zazen Boys' most unifying characteristic is how accessible it is. A preponderance of heavy Led Zeppelin-style guitar chords and Steely Dan funk workouts gives much of the album a familiar-sounding 1970s vibe that prevents it from getting bogged down in experimentalism for its own sake, but also perhaps prevents the band from taking its experimental tendencies to their logical conclusions. As it is, Zazen Boys comes across as an interesting step along a road, but by no means the finished product.

Zazen boys 4 rapidshare software
SampleTitle/ComposerPerformerTime
1 04:11
2 03:00
3 03:36
4 02:52
5 04:14
6 08:41
7 02:28
8 03:04
9 02:09
10 04:00
11 03:52
12 05:15
13 07:05
blue highlight denotes track pick
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Other albums by Zazen Boys

Review

Having adapted to the loss of drummer Ahita Inazawa and bassist Hinata Hidekazu (and their replacement by Atsushi Matsushita and Ichirou Yoshida), the Zazen Boys' fourth album retreated a bit from the pure experimentalism of Zazen Boys III. The group moves toward electronica in Zazen Boys 4, with a tendency toward slicker production and a focus on the synthesizers, bass, and drums that normally make up dance tracks. Rather than sticking purely with dance music, though, the band continues to experiment with funk, and with punk aesthetics. It may be a musical turning point for the Zazen Boys, but one that they handle with musical grace. ~ Adam Greenberg, Rovi
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  1. #TrackArtistLength
  2. 1AsobiZazen Boys5:34
  3. 2HonnojiZazen Boys5:1
  4. 3WeekendZazen Boys4:11
  5. 4Idiot FunkZazen Boys3:38
  6. 5MemoriesZazen Boys2:50
  7. 6FureaiZazen Boys3:17
  8. 7TaratineZazen Boys3:53
  9. 8The Drifting/I Don't Wanna Be With YouZazen Boys10:16
  10. 9SabakuZazen Boys5:30